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The Art World: What If...?!

What if we reimagined everything in culture, from painting to patronage? Tune in to The Art World: What If…?! to hear leading thinkers, creators and innovators in art rethink the system, exploring the consequences with wit, wisdom and humor. Join art journalist Charlotte Burns and world-renowned art advisor Allan Schwartzman as they exclusively interview museum leaders, collectors and artists including MoMA director Glenn Lowry, Guggenheim deputy director Naomi Beckwith, non-profit leader Kemi Ilesanmi, curator Cecilia Alemani and Sandra Jackson-Dumont, the director of the Lucas Museum of Narrative Art and many others over the course of the series. From the team behind In Other Words and Hope & Dread, The Art World: What If…?! is brought to you by Schwartzman& for Art& and produced by Studio Burns.
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Now displaying: Page 1
May 30, 2019

Andy Warhol is one of the best-known—but perhaps least understood—artists of the 20th century. “Warhol shifted the paradigm. He shifted the conversation. That's why we're still grappling with him. Love him or hate him,” says Donna De Salvo, the senior curator and deputy director for International Initiatives at the Whitney Museum of American Art, who recently organized the blockbuster exhibition "Andy Warhol—From A to B and Back Again" (on show now at the San Francisco Museum of Modern Art, until 2 September).

Beyond the glamour of the celebrity and consumerism so often associated with Warhol, there is something destabilizing about his work, says Dominique Lévy, the co-founder of Lévy Gorvy—which is showing “Warhol Women” in New York (until 15 June). “If you spend enough time in front of a Warhol painting, little by little it unnerves you,” Lévy says.

When people fetishize the trophy of the Marilyn, they're missing a certain point of the way that Warhol is constantly disrupting,” De Salvo says: “Whether it's the off registration of the screen, through the color, through the scale, the multiplicity of images. He's not about a fixed image. He's actually quite the opposite and that gets to issues of identity.”

Together with host Charlotte Burns, Lévy and De Salvo discuss the radical aspects of Warhol's work, discussing how much of it is still undervalued and under-appreciated—particularly drawings from the 1950s and works from the 1970s and 1980s. “He reinvents himself and becomes more and more conceptual, and more and more relevant,” Lévy says.

“His project ends because he dies,” De Salvo says: "He was just getting going again." Ultimately, she says, Warhol “reflected these twin American desires, which are at odds: our desire to innovate and our desire to conform.”

For this and more, tune in today.

Transcript: https://www.artagencypartners.com/transcript-60-warhols-women/

“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.

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